Music by Alan Menken                  
Lyrics by Howard Ashman
Book by Howard Ashman

Production Team
Director: Scott Seidl
Music Director: Jeannie Butler
Choreographer: Kaitlyn Dunaway
Production Stage Manager: Ashley Gambill
Costume Designer: Karen Heid
Lighting Designer: Ben Rawson

Performance Dates:
October 6th, 7th and 8^th 

Seymour …………………………………………………………………………………………………….…….. Michael Fortino
Audrey ………………… …………………………………………………………………………………… Elizabeth Rayca Haas
Orin (The Dentist)……………… ………………………………………………………………………………………… Sol Baird
Mr. Mushnik ……………… ……………………………………………………………………………………….. Wes Hennings
Chiffon ………………… ……………………………………………………………………………………………….. Arelis Rivera
Crystal . ……………………………………………………………………………………………..…………….. Jewett Mukenge
Ronette ………… …………………………………………………………………………………………….. Shantelle Wheeler
Audrey II Voice ……………………..………………………………………………………………………………… Sean Moton
Audrey II Puppeteer………………………………………………………………………………………………… Tif Chatfield
Paperboy / Dancer 5 / Bernstein (NBC Exec) / Ensemble / Puppeteer………….………… Justin Martin
Dancer 1 / Ensemble / Puppeteer …………………………………………………………….…………. Ansleigh Davis
Dancer 2 / Ensemble / Puppeteer ………………………………………………………………. Mary Bryson Wright
Dance Capt. / Dancer 3 / WSKID Singer 3 / Patrick Martin / Ens / Puppeteer ………….… Tres Taylor
Dancer 4 / Ensemble / Puppeteer …………………………………………………………………….…………. Brian Joe
Dancer 6 / Ensemble / Puppeteer …………………………………………………………….…………. Kimberly Kelly
Downtown Soloist / Ensemble / Puppeteer ………..………………………………..……………. Lolita M. Pierre
Thief / Ensemble / Puppeteer ………..…………………………………………………………..……………. Matt Kridel
Wino #1 / Ensemble / Puppeteer …………………………………………………………….…………. Josh Anderson
Wino #2 / Customer / Ensemble/ Puppeteer ……………………………..………………………. Casey Johnson
Interviewer / Ensemble / Puppeteer ……………………………………………………….…………. William Renfro
WSKID Singer 1 / Mrs. Luce (Life Magazine) / Ensemble / Puppeteer ………….…………. Katie Reagan
WSKID Singer 2 / Ensemble / Puppeteer …………………………………………………………. Katrina Chandler
WSKID Singer 4 / Skip Snip (William Morris) / Ensemble / Puppeteer ……………. Paul Barton Jones

SPECIAL GUEST To Be Announced!

Irving Berlin’s White Christmas

Presented by The Augusta Players
Music and Lyrics by: Irving Berlin
Book: David Ives and Paul Blake

Production Team
Director: Scott Seidl
Music Director: Paul Barton Jones
Choreographer: Tonya Strain
Production Stage Manager: Ashley Gambill
Lighting Designer: Caron Townsend

Audition Dates- September 23rd and 24th
Performance Dates: December 8th, 9th, and 10th

Veterans Bob Wallace and Phil Davis have a successful song-and-dance act after World War II. With romance in mind, the two follow a duo of beautiful singing sisters en route to their Christmas show at a Vermont lodge, which just happens to be owned by Bob and Phil’s former army commander. With a dazzling score featuring well-known standards including “Blue Skies,” “I Love A Piano,” “How Deep Is the Ocean” and the perennial title song, White Christmas is an uplifting, wholesome musical that will delight audiences of all ages.

Looking for performers of all types, ethnicities, shapes, sizes. Ages 17 and up.
The role of Susan Waverly– 8-13 years old to play 9 years old

Considering all ethnicities for all roles.

Looking for: Actors who sing, singers who move well, dancers who sing, tap dancers / dancer only

All roles are open.

General Open Auditions
Saturday, September 23rd

Callbacks
Sunday, September 24th, 1PM

Location:
TBA

 

Please read this whole notice before calling The Augusta Players.

If you cannot attend the in-person auditions:
Video submissions will also be accepted until 4pm on September 23rd. Please email video submissions or YouTube links to: s.seidl@augustaplayers.org

Videos should include:

• Your name, phone number and email address
• A section of a song (See below) no longer than 1 minute.
• If auditioning for a specific character, one of the posted audition songs.

PLEASE also attach the completed audition form which you can download:
Audition form– WHITE CHRISTMAS
CONFLICT POLICY AND PERFORMER CONTRACT – WHITE CHRISTMAS

 

SINGING:

Please prepare a verse and a chorus of a song in the style of or from the show that best shows off range. Songs by Irving Berlin, George and Ira Gershwin, or anything in the Great American Songbook, etc.

An accompanist will be provided, but you must provide your own sheet music unless you are singing from the show.

No a cappella singing, please.

 

DANCE / MOVEMENT:

Dance combinations will be taught.

Please be prepared for movement by bringing jazz, character or tennis shoes and wearing comfortable clothes. A hard soled, closed toe shoe will be acceptable. Tap shoes are encouraged

Gymnastics also a plus but not required.

Please bring personal calendars and be prepared to list all conflicts (Mondays-Sundays) beginning with Monday, October 16, 2023 – December 10, 2023. Please do not assume that we know when any general holidays are (ie., school breaks, etc) and plan to list those as conflicts if you will be out of town or otherwise engaged. Conflicts must be noted at the audition and will influence casting. Only conflicts noted at the audition will be taken into consideration. NO CONFLICTS ALLOWED FROM November 27 – December 10.

You can download audition scene / sides here:
White-Christmas-Audition Scenes_Sides

You can download audition forms here:
Audition form– WHITE CHRISTMAS
CONFLICT POLICY AND PERFORMER CONTRACT – WHITE CHRISTMAS

 

MORE:
To learn more about the show explore these links:
https://www.concordtheatricals.com/p/44974/irving-berlins-white-christmas
https://en.wikipedia.org/wiki/White_Christmas_(musical)

 

 

Character Breakdown

Bob Wallace – ( 20’s to 30’s) Male Lead. A major singing star. The guiding force behind the song and dance team of Wallace and Davis. Despite his occasional gruffness, he is a deeply kind and principled man who is searching for his true love. Crooning Bari-tenor with superior vocal quality. Range from C3 – A4.

Phil Davis – (20’s to 30’s) Male Lead. The fun-loving, go-getting, song and dance partner of the team of Wallace and Davis. An irrepressible clown, operator, and incorrigible ladies’ man who is determined to see his friend happy, even if it requires some scheming. He has a boyish charm. Warm and energetic seasoned baritone with a range from A2 – F4.

Betty Haynes– (20’s to 30’s) Female Lead. The sensible, responsible half of the upcoming song and dance team, The Haynes Sisters. A woman of decent, upstanding principles. She is devoted to her younger sister. Like Bob, she hides her yearning for true love under a protective shell. Rich Mezzo-Soprano with a range from A3 – F5. Vocally flexible, rich chest mix with soprano extension.

Judy Haynes– (20’s to 30’s) Female Lead. The younger, more ambitious, slightly scheming Haynes sister. While wholesome and adorable, she is sexy and flirty- a winning charmer whom no man can resist. Strong singer with good belting ability with a range from G3 – E5.

General Henry Waverly– (50’s to 70’s) Male Supporting. Spoken. A retired U.S. Army General, adjusting to returning to civilian life in post-World War II America. He is a man of great principle and dignity. Beneath his curmudgeonly military exterior lies a warm, compassionate man in need of family and love. Non-Singing role.

Martha Watson– (40- mid 60’s) Female Supporting Role. Once a Broadway star, now the General’s housekeeper at the Inn, Martha has a very dry, wry, wisecracking sense of humor. Bighearted but completely unsentimental, she runs the General’s life despite his protestations. She is an irresistible meddler, but always for what she believes to be the other guy’s best interests. Alto with a range from G3 – D5

Susan Waverly– (8-13 years old to play 9 years old) The General’s granddaughter, Susan is a lovable and outgoing real kid. She is very smart, wise beyond her years, and cares deeply about her grandfather. Once bitten hard by the showbiz bug, she demonstrates everything that is winning in the ultimate child performer. Good belting voice.

Ralph Sheldrake– ( 20’s to 30’s) Male Supporting. Army buddy of Bob and Phil’s now a major television executive with the Ed Sullivan Show. Fast-talking, New York professional. Male supporting. Tenor, Baritone, Bass

Rita and Rhoda– (mid 20’s to early 30’s) Bob and Phil’s two-star chorus girls, they are brash, sexy, and fun, although perhaps not the smartest. Female featured. Soprano, Mezzo-Soprano, Alto

Ezekiel Foster– (mid 40’s to late 50’s) The ultimate taciturn New Englander, who helps out at the inn and takes life at a very slow pace.

Mike– (mid 20′ to late 30’s) Bob and Phil’s stage manager. Has a tendency to be over-dramatic and completely hysterical but will get things done. Never seen without his whistle and clipboard, which he uses to attempt to keep order.

ENSEMBLE: Will play multiple roles throughout the show including chorus dancers, townspeople, band singers, entertainment folk, etc.They sing and dance throughout the entire show. Looking for energetic singers who move well. Dancers who can sing. Trained dancers in ballet and jazz. Featured roles and solos will come from the ensemble.

 

If you have other questions after reading this notice, you may contact The Augusta Players at

(706) 826-4707 or email info@augustaplayers.org

Dreamgirls
Presented by The Augusta Players

Music by: Henry Krieger
Lyrics: Tom Eyen
Book: Tom Eyen

Production Team
Director: Sean Moton
Music Director: Paul Barton Jones
Production Stage Manager: Ashley Gambill
Costume Designer: TBA
Lighting Designer: Ben Rawson
Choreographer: Santrena Hammonds

Audition Dates- November 11th and 12th
Performance Dates: February 23rd, 24th and 25th

A sweeping and inspirational journey through 20th century American pop music, Dreamgirls chronicles one Motown group’s rise from obscurity to superstardom. Through gospel, R&B, smooth pop, disco and more, Dreamgirls explores themes of ambition, hope and betrayal, all set in the glamorous and competitive world of the entertainment industry.

Looking for performers of all types, ethnicities, shapes, sizes. Ages 17 and up.

Looking for:

Actors who sing, singers who move well, dancers who sing,

All roles are open.

General Open Auditions
Saturday, November 11th, 10AM – 5PM

Callbacks
Sunday, November 12th, 1PM

Location:TBA

Please read this whole notice before calling The Augusta Players.

If you cannot attend the in-person auditions:

Video submissions will also be accepted until 4pm on September 23rd.

Please email video submissions or YouTube links to: s.seidl@augustaplayers.org

Videos should include:

• Your name, phone number and email address
• A section of a song (See below) no longer than 1 minute.
• If auditioning for a specific character, one of the posted audition songs.

PLEASE also attach the completed audition form which you can download HERE:

Audition form– DREAMGIRLS
CONFLICT POLICY AND PERFORMER CONTRACT – DREAMGIRLS

 

(Other links will be added soon)

 

SINGING:

Please prepare a verse and a chorus of a pop song from the 60’s or 70’s that best shows off range. Songs from similar Broadway shows or Dreamgirls are also acceptable. Examples would be the show:  Ain’t Too Proud, Memphis, The Wiz, etc. You can also sing from the show.

Callback songs will be:  

Effie – And I Am Telling You, I Am Changing
Deena – Dreamgirls, One Night Only (Disco)
Lorrell – Ain’t No Party
Jimmy – Fake Your Way (Intro), Baby-Baby
CC – Family
Curtis/Marty – You Are My Dream
Female Ensemble – Dreamgirls, One Night Only (Slow), One Night Only (Disco)
Male Ensemble/Dave – Family, You Are My Dream, Steppin to the Bad Side, Cadillac Aria

An accompanist will be provided, but you must provide your own sheet music unless you are singing from the show.

No a cappella singing, please.

 

DANCE / MOVEMENT:

Dance combinations will be taught. You can get a head start by looking at the video link (coming soon)

Please be prepared for movement by bringing jazz, character or tennis shoes and wearing comfortable clothes. A hard soled, closed toe shoe will be acceptable.

Gymnastics also a plus but not required.

Please bring personal calendars and be prepared to list all conflicts (Mondays-Sundays) beginning with Monday, January 1, 2024 – February 25, 2024. Please do not assume that we know when any general holidays are (ie., school breaks, etc) and plan to list those as conflicts if you will be out of town or otherwise engaged. Conflicts must be noted at the audition and will influence casting. Only conflicts noted at the audition will be taken into consideration. NO CONFLICTS ALLOWED FROM February 12 – February 25.

 

MORE:

To learn more about the show explore these links:

https://www.concordtheatricals.com/p/44609/dreamgirls

https://en.wikipedia.org/wiki/Dreamgirls

Download audition scene / sides HERE: DREAMGIRLS AUDITION SIDES

 

Character Breakdown

DEENA JONES: (Black, Female, 20s-30s) Initially modest and svelte backup singer for The Dreamettes, turned lead singer of The Dreams. An endearing ingenue with regality, grace, and quiet confidence. Her humble beginnings make her an unsuspected underdog. As the lead singer, she is magnetic, effortless, and effervescent. Replaces her best friend, Effie under pressure. Embodies both innocence and star power. Mezzo, full belt to E5

EFFIE MELODY WHITE: (Black, Female, 20s-30s) Lead Singer of The Dreamettes. A powerhouse and a soaring singer with undeniable talent. The true underdog. A vibrant, confident, and outspoken young woman who wears her heart of gold on her sleeve. Becomes overcome with anger, jealousy, and paranoia when Curtis betrays her trust. Her journey from snappy confidence to depths of betrayal ultimately ends in triumph. Must have strong gospel belt to G5

LORRELL ROBINSON: (Black, Female, 20s-30s) The group’s youngest member. Bubbly, energetic, youthful, and pragmatic. Eager for success, she’s swept off her feet by the married James Thunder Early. Speaks her mind. A high-energy, quirky, hopeless romantic. Has a keen sense of humor and comedic skill.Soprano belt to G5

C.C. WHITE: (Black, Male, 20s) Effie’s songwriting younger brother. Idealistic, loyal, endearing, and soft-spoken. While initially inspired by Curtis’s business savvy, his efforts to do the right thing are ultimately eclipsed by Curtis’ controlling vision. Goes through the journey of losing and regaining himself. Baritone to G4

MICHELLE MORRIS: (Black, Female, 20s-30s) Replacement for Effie. A Dynamic singer/performer that better fits into Curtis’ aesthetic for The Dreams. Headstrong and sure of her place. Falls in love with C.C. and facilitates the reunion of him and his sister, Effie. Mezzo belt to E5

JAMES THUNDER EARLY: (Black, Male, 30s – 40s) Self-proclaimed King of Soul. A chart-topping and dynamic performer. A sexy, high-energy star full of flash, charisma, and pizazz. Once a trendsetter, the newer trends threaten to pass him by. A deeply troubled showman of the era, who lets loose in every aspect of his life. Rock R&B Tenor to B4

CURTIS TAYLOR JR: (Black, Male, 20s – 40s) Former Cadillac dealer turned entertainment manager, turned music mogul. Charming, funny, handsome, smooth, and seductive but ruthless in the pursuit of his dreams. He is motivated by his hunger for mainstream success, an appreciation for crossover music, and keen business mind. Takes over the management of Jimmy Early’s career and oversees the rise to stardom of The Dreams. Initially warm and approachable, he becomes hardened by wealth, power, and control. Baritone to G4

MARTY: (Black, Male, 40s-60s) NON-SINGING. Street savvy, long-time manager of Jimmy’s career, and the one to clean up after his mistakes. Represents an earlier age of black entertainment; honest and loyal, never overstepping his bounds. At odds with Curtis and his ideas and schemes. Later oversees Effie’s comeback. Baritone to G4

DAVE (White, Male, 20s-30s) Cadillac Car soloist. Lead singer of Dave and The Sweethearts. “All American” pop singer of the 1960s. Covers Jimmy Early and the Dreamettes’ ‘Cadillac Car’ and steals their thunder.

ENSEMBLE OF EXCELLENT SINGER / DANCERS: Singer/Dancers for various supporting roles: strong singers who move very well. All possess unique and vivid personalities and have the ability to play a wide variety of characters including Tiny Joe Dixon, Dave & the Sweethearts, The Stepp Sisters, The Tuxedos, Charlene, Joann, M.C., Stage Manager, Little Albert, Mr. Morgan, The Tru-Tones, Dwight, fans, reporters, stagehands, party guests, photographers, film executives, etc.

They sing and dance throughout the entire show. Looking for energetic singers who move well. Dancers who can sing. Trained dancers in ballet and jazz. Featured roles and solos will come from the ensemble.

 

If you have other questions after reading this notice, you may contact The Augusta Players at

(706) 826-4707 or email info@augustaplayers.org

School of Rock

Presented by The Augusta Players

Book by Julian Fellowes
Lyrics by Glenn Slater
New Music by Andrew Lloyd Webber

Production Team
Director: Scott Seidl
Music Director: Lori Van Lenten
Production Stage Manager: Ashley Gambill
Costume Designer: TBA
Lighting Designer: Mike Grigsby
Choreographer:

Audition Dates- October 14th and 15th (Dewey + Kids Only)
Auditions for rest of Cast- February 3rd and 4th
Performance Dates: May 3rd, 4th and 5th

Rock got no reason, rock got no rhyme… You better get me to school on time! Andrew Lloyd Webber’s School of Rock – The Musical is a two-hour, two-act show (plus intermission), based on the hit movie. The tuner follows Dewey Finn, a failed, wannabe rock star who decides to earn an extra bit of cash by posing as a substitute teacher at a prestigious prep school. There he turns a class of straight–A pupils into a guitar-shredding, bass-slapping, mind-blowing rock band. But can he get them to the Battle of the Bands without their parents and the school’s headmistress finding out?

Looking for performers of all types, ethnicities, shapes, sizes. Ages 8 and up

Considering all ethnicities for all roles.

*Note: Dewey and the principal kids play instruments for this production. Instrumental experience preferred, willingness to learn required. The Augusta Players will provide lessons for the cast.

Looking for: Actors who sing, singers who move well, dancers who sing,  

All roles are open.

Auditions for Dewey and Principal Kids
Saturday, October 14th, 10AM – 5PM

Callbacks
Sunday, October 15th, 1PM

General Auditions:
Saturday, February 3rd, 10AM – 5PM

Callbacks:
Sunday, February 4th, 1PM

Location:
TBA

Please read this whole notice before calling The Augusta Players.

If you cannot attend the in-person auditions:

Video submissions will also be accepted until 4pm on September 23rd.

Please email video submissions or YouTube links to: s.seidl@augustaplayers.org

Videos should include:

• Your name, phone number and email address
• A section of a song (See below) no longer than 1 minute.
• If auditioning for a specific character, one of the posted audition songs.

PLEASE also attach the completed audition form which you can download HERE:
Audition form– SCHOOL OF ROCK
CONFLICT POLICY AND PERFORMER CONTRACT – SCHOOL OF ROCK

(Other links will be added soon)

 

SINGING:

Please prepare a verse and a chorus of a Contemporary Broadway-style song. You may sing from the show. Please sing something that demonstrates your vocal range and abilities. If you are auditioning for a specific character, please see the character breakdown below and prepare a song that character sings in the show. An accompanist will be provided, but you must provide your own sheet music unless you are singing from the show.

No a cappella singing, please.

 

DANCE / MOVEMENT:

Dance combinations will be taught. 

Please be prepared for movement by bringing jazz, character or tennis shoes and wearing comfortable clothes. A hard soled, closed toe shoe will be acceptable.

Gymnastics also a plus but not required.

Please bring personal calendars and be prepared to list all conflicts (Mondays-Sundays) beginning with Monday, March 11, 2024 – May 5, 2024. Please do not assume that we know when any general holidays are (ie., school breaks, etc) and plan to list those as conflicts if you will be out of town or otherwise engaged. Conflicts must be noted at the audition and will influence casting. Only conflicts noted at the audition will be taken into consideration. NO CONFLICTS ALLOWED FROM April 22- May 5.

 

MORE:

To learn more about the show explore these links:

https://www.concordtheatricals.com/p/58738/school-of-rock-lloyd-webber
https://en.wikipedia.org/wiki/School_of_Rock_(musical)

Download audition scene / sides HERE:
SCHOOL OF ROCK AUDITION SIDES

Download audition songs HERE:
If Only You Would Listen audition cut
Stick it to the Man Reprise
You’re In the Band Reprise cut

 

Character Breakdown

ADULTS

Dewey Finn ( Age Range 20s – 30s) Vocal Requirements: Rock Tenor, Range B2 – E5 Instrument Requirements: On stage guitar
A wanna-be rockstar with big dreams. Dewey finds himself in urgent need of some cash after getting kicked out of his band. He impersonates a teacher to land a job at the prestigious Horace Green prep school where he turns his class of straight-A students into a rock group and enters them in the battle of the bands. “Stick It to the Man (reprise)” and also “You’re In the Band (reprise).” You can download the audition cuts above.

Rosalie Mullins ( Age Range late 20s – 30s) Vocal Requirements: Soprano, Range A3 – D6

Proper and a bit uptight, Rosalie is the headmistress of Horace Green School. She has a secret love of rock music and yearns to recapture the carefree spirit of her youth. Audition Song Information coming soon.

Ned Schneebly (Age Range 20s – 30s)
Vocal Requirements: Baritone, Range C3 – F#4
Ned is the best friend of Dewey and a former wanna-be rockstar as well but conforms to normal life as a substitute teacher at the insistence of his controlling girlfriend, Patti. Audition Song Information coming soon.

Patti Di Marco (Age Range 20s – 30s)
Vocal Requirements: Mezzo-Soprano Belt, Range B3 – E5
Ned’s domineering girlfriend, who lives with Ned and Dewey. She calls the shots in their relationship and isn’t too happy about Dewey’s presence in their flat – or his influence on Ned. 

No Vacancy Band – Theo (D3 – D5), Doug (G3 – G4), Bob (G3 – D5), Snake (G3 – G4) Any drumming skills are a plus!

Teachers & Parents – Mr. Sanders (B2 – F4), Ms. Gordon (D4 – E5), Ms. Sheinkopf (B3 – E5) + Mr. Sandford (Eb4 – Ab4) + additional SATB Parents & Teachers. Audition Song Information coming soon.

Additional Adult Ensemble Roles: We are seeking skilled dancers and character actors to help bring the ensemble to life as teachers, parents, groupies, bar patrons, bartenders, the heavenly band (Zeus, Thor, Odin), Janis Joplin, Kurt Cobain, Elvis, Jesus, and other additional characters.

KIDS

Zack – Vocal Requirements: Range A3 – D5 Instrument Requirements: On-stage electric guitar

Zack is the band’s lead guitarist and also a talented songwriter. He desperately wants to impress his father, who is usually too busy with work to take an interest in his family.

Katie – Vocal Requirements: Range A3 – D#5 Instrument Requirements: On stage bass guitar

Quiet and serious, Katie already played the cello but switched to bass at Dewey’s suggestion to fill out the band.

Lawerence – Vocal Requirements: Range A3 – D#5 Instrument Requirements: On stage piano/keyboard Awkward and lacking in confidence, Lawrence is hesitant to attempt something “cool” like joining a band, but he soon turns out to be a fantastic keyboardist.

Freddy – Vocal Requirements: Range A3 – D5 Instrument Requirements: On stage drums. Freddie loves a bit of rowdiness and noise, making him a great drummer. His own father doesn’t see his ability and constantly belittles his son. The ability to skateboard is a plus.

Summer – Vocal Requirements: Range A3 – D5
Confident and outspoken. Summer is the ideal manager for the band. Ambitious and very clever, she hopes that winning Battle of the Bands will look good on her college application.

Tomika – Vocal Requirements: Range A3 – G5 New girl Tomika is struggling to fit in at Horace Green. She conquers her shyness to reveal her phenomenal singing ability and becomes a lead vocalist alongside Dewey in the band. We are seeking a BIPOC performer for this role.

Marcy & Shonelle – Vocal Requirements: Range A3 – G5 Quiet girls with angelic voices. Marcy & Shonelle are the band’s backup singers and dancers.

Mason – Vocal Requirements: Range A3 – D5 Mason is a total whiz with technology, and creates special effects and fantastic lighting designs for the band’s performances using his laptop.

Billy – Vocal Requirements: Range A3 – D5 Flamboyant and artistic, Billy has a passionate interest in fashion, even though his father wants him to be a footballer like the other men in his family. He designs the band’s costumes.

James – Vocal Requirements: Range A3 – D5
James is tough and reliable, making him a good security guard for the band. Mostly, he keeps an eye out for anyone coming while the band is secretly rehearsing.

Sophie – Vocal Requirements: Range A3 – D5 Sophie is the band’s roadie. She helps Mason with his tech & loading gear for the show.

 

If you have other questions after reading this notice, you may contact The Augusta Players at

(706) 826-4707 or email info@augustaplayers.org